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Created in 1941

1941 was an absolute supernova. DC, Timely, Fawcett, Quality, and MLJ were all firing on every cylinder they had — launching icons, reinventing genres, and scrambling to keep up with DC’s runaway success. Nearly every corner of the Golden Age expanded this year, and many of these creations would become pillars of pop culture for generations. This page lists the 1941 creations entering the U.S. public domain in 2037 — and any already there.

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Entering the Public Domain in 2037 (Created in 1941)


Already in the Public Domain (Created in 1941)

Public Domain 2026

1941: Context & Fun Facts

  • DC’s Greatest Power Surge Yet.
    DC didn’t just add characters in 1941 — they added archetypes. Wonder Woman, Aquaman, the Green Arrow/Speedy duo, Starman, Hawkgirl, and a roster of Justice Society recruits made this the largest single-year expansion the company ever had.
  • Timely Comics Fires Back — Hard.
    Seeing DC dominate the newsstands, Timely threw everything it had into the ring: Captain America and Bucky debuted right at the tail end of 1940, quickly joined by a rapid-fire wave of “second-string but fun as hell” heroes — The Whizzer, The Destroyer, The Black Marvel, The Defender and the Thunderer. This was Timely’s first real attempt to build a universe, not just a roster.
  • MLJ Comics Splits Its Personality.
    MLJ was in a weird but fascinating hybrid mode in 1941: half superhero publisher (The Hangman, Mr. Justice, Captain Flag, Captain Valor), half teen-comedy pioneer (Archie, Betty, Jughead). They were accidentally inventing two whole genres at once.
  • Fawcett Comics Doubles Down on Magic & Militancy.
    Fawcett followed the success of Captain Marvel by launching Captain Marvel Jr., Minute-Man, and giving Captain Midnight a full comic presence. Their output in 1941 solidified Fawcett as DC’s only real competitor in the superhero-as-blockbuster arena.
  • Quality Comics Becomes the Sleeper Hit of the Year
    Quality debuted Plastic Man, Phantom Lady, Miss America, and Blackhawk — four characters who would outlive the company and stay culturally relevant for decades. 1941 was the peak of Quality’s “art-first, pulp-second” philosophy.
  • Golden Age Weirdness Peaks (in the Best Way).
    Between Doiby Dickles, the human-sized penguin mobster, flashlight-powered acrobatics, patriotic teens with chauffeurs, and a cowboy vigilante with a violin, 1941 marked the moment the Golden Age fully embraced its own glorious eccentricity.