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PUBLIC DOMAIN SUPER HEROES MISSION STATEMENT

WHAT ARE WE DOING? AND WHY ARE WE DOING IT?

 

This is the universe you imagined as a kid — only now, it’s real.

At Public Domain Super Heroes, we’re building a shared world where the legends of the past return to fight again — but this time, they share the same sky. Flash Gordon and Hawkman. The Spider and Captain Midnight. John Carter and Wonder Woman. Heroes who were never meant to meet finally can — because the law now lets them. Or soon will.

Over then next decade and a half, a huge swath of well known superhero and adventure titles and characters will enter the Public Domain, allowing anyone to use them in their own stories, within certain parameters. Our intention here is to bring all those characters and their mythologies together in one place, in one universe.

This is a creative universe built on the foundations of public domain law; that magic moment when old stories become new again, free for all to reinterpret, rebuild, and re-imagine. We carefully track what’s legally usable and respect what isn’t. That means:

- Characters, stories, and visuals whose copyrights have expired are fair game.
- Trademarks, logos, and proprietary versions (like modern film depictions) are off-limits and we stay far away from them. We can't use the trademarked names to sell anything, so they can't be in book or comic book titles or on T-shirts. They can be used within books, comics or film as part of the narrative.

We build with original designs, new ideas, and deep respect for the source material.

We don’t parody. We don’t copy. We resurrect, reforge, and reimagine.  This project is about honouring the pulp, noir, superhero, and sci-fi roots of 20th-century storytelling, while building something wholly new for the 21st.

We believe:
- The old heroes never truly die. They just wait for someone to remember them.
- Kids shouldn’t need a legal degree to see The Flash fight alongside Flash Gordon.
- Nostalgia is power. But evolution is what keeps it alive.

We started with a single novella. We’re growing a universe and it has rules:

No multi-verse.
No time travel ret-cons.
No do-overs.

If you’ve ever dreamed of a world where every story fits together, where the lines between mythologies mesh instead of blur, welcome aboard.

It’s about time.

A NOTE ON STYLE

WHAT SHOULD YOU EXPECT WHEN YOU READ ONE OF OUR STORIES?. Our stories aren’t pastiche or parody. You won't hear Robert E. Howard’s voice, nor will you find tales pretending it’s still the 1940s. Public Domain Super Heroes stories are set in a multitude of times and places, but they are written today and read like modern fiction. These are new stories rooted in pulp and comic traditions — not imitations, but evolutions.

Beyond all that, there are two things we promise you will never see happen in these pages: No hero will win the day with a speech and no battle will be settled with a group hug.

Ever.

A NOTE ON REPRESENTATION

WHY ARE WE CHANGING SOME CLASSIC CHARACTERS?.

Public Domain Super Heroes updates Golden Age characters for today. That means some of our characters will reflect identities that weren’t openly represented in the comics, books and film of the 1930s and ’40s.

We’re not chasing shock value or pushing an agenda. We’re telling stories with authenticity, humanity, and fun. These identities existed then, they exist now, and they will continue to exist. The fact that many creators of the past ignored them doesn’t erase that reality.

If you’re here for classic pulp adventures but can’t handle the idea of a lesbian pilot or a trans hero, you may not be our reader. And that’s fine — heroic adventure fiction is a big tent, and there’s something out there for everyone.

The beauty of public domain characters is that if you don't like our version of a classic character, you're free to go out and write one that you do enjoy.

AI USAGE STATEMENT

DOES PUBLIC DOMAIN SUPER HEROES USE AI TOOLS?

Let’s talk about that.

Leonardo da Vinci didn’t stretch his own canvases. Michelangelo didn’t mix his own paints. Tom Clancy had co-writers. Every show you’ve ever loved had a writer’s room, a script editor, a continuity assistant, and someone double-checking that the hero wasn’t wearing a different hat in Act Three.

We’re no different — just faster, leaner, and a little more honest about it.

Yes, we use AI tools to speed up first drafts, clean grammar, rephrase awkward bits, and keep track of a sprawling, time-jumping, multiverse-avoiding superhero universe. But the ideas, the characters, the voice, the tone, the soul? That’s all human. That’s us.

We treat AI like a studio assistant or a junior writer — helpful, tireless, occasionally dumb as bricks, and always under supervision. It’s not the writer. It’s a tool. Just like a spellchecker. Just like a typewriter. Just like the light bulb that lets us write at 2AM.

We’d be nuts *not* to use tools that are fast, free, and let us focus more on the creative heavy lifting.

If you're looking for 100% organic, artisanally hand-crafted prose (unless your favourite writer mixes their own ink and presses their own paper, there's no such thing), you might want to check the copyright date on your favourite new books — odds are a few of those “masterpieces” had help too.

We just admit it.


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